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edward.maurath

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

HWV8A0N17 - Dai, quando vuoi, recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
	3	0	1	1	67%
Harpsichord	10	3	3	2	67%
	2	0	0	1	33%
Apollo	5	0	1	3	67%
Erato	4	0	0	3	67%

HWV1N17vEJM - "Nein, Osman muß, was er versprochen"

edward.maurath

0:17	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
Harpsichord	11	7	3	2	83%
	12	6	3	2	100%
Organo	11	7	3	2	83%
	12	6	3	2	100%
Consalvo	12	0	2	4	100%
Continuo	6	0	2	2	100%

HWV61A1N7 - Well may they laugh!

edward.maurath

0:58	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	15	15	3	1	93%
HSC RH	12	16	4	1	93%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	15	15	3	1	93%
HSC RH	12	16	4	1	93%
ORG LH	11	6	3	2	93%
ORG RH	12	16	4	2	93%
Vcl	8	0	2	2	93%
VNE	8	0	2	2	93%
GOBRIAS	9	0	0	3	47%
CYRUS S	9	0	3	4	40%

"Vieni o cara" from "Rinaldo," HWV 7 (1711)

edward.maurath

5:21	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
Violoncello	25	0	8	6	97%
Argante	17	0	5	10	80%
Contrabasses	18	0	3	6	75%
Violoncellos	17	0	3	6	74%
Violin	16	3	3	7	72%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

Chacconne from Terpsichore, HWV 8 (last version)

edward.maurath

6:50	Est. Play Time
178	Measures
	1,620Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	6	84%
	20	0	5	8	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	6	84%
	20	0	5	8	84%
Viola	17	0	4	6	84%
Harpsichord	17	49	2	7	74%
	20	3	3	7	76%
Contrabass	20	0	3	7	76%
Violoncello (Continuo)	20	0	3	7	76%
Bassoon	20	0	5	5	21%
Oboe	13	0	6	6	17%
	12	0	3	6	17%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"

edward.maurath

1:10	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
Contrabass (Continuo)	14	0	4	4	100%
Viole Alti	12	0	3	4	100%
Viole Tenore	15	0	4	5	100%
Violini 1	16	0	4	7	100%
Violini 2	12	0	3	5	100%
Violoncello (Continuo)	16	0	4	4	100%

Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"

edward.maurath

1:10	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
Contrabass (Continuo)	14	0	4	4	100%
Viole Alti	12	0	3	4	100%
Viole Tenore	15	0	4	5	100%
Violini 1	16	0	4	7	100%
Violini 2	12	0	3	5	100%
Violoncello (Continuo)	16	0	4	4	100%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

HWV56N42 - He that dwelleth in heaven shall laugh

edward.maurath

0:18	Est. Play Time
5	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	11	6	3	3	100%
	7	5	0	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	11	6	3	3	100%
	7	5	0	3	100%
Cello	6	0	0	3	100%
Contrabass	6	0	0	3	100%
Tenor	8	0	1	3	80%

HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major

edward.maurath

2:48	Est. Play Time
157	Measures
	1,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	2	4	3	99%
	21	4	4	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	2	4	3	99%
	21	4	4	4	100%
Violoncello Continuo	21	0	4	4	97%
Cesare	15	0	3	6	71%
Violins	22	0	5	7	69%
Kontrebaß	15	0	1	3	43%
Celli	14	0	0	3	41%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
Continuo	21	0	3	4	99%
Sesto	16	0	6	7	68%
Violin	19	0	2	8	62%
	17	0	2	6	62%
Celli	18	0	1	4	61%
Kontrebaß	16	0	1	4	61%
Viola	12	0	1	4	49%

HWV56N33 - Lift up your heads, O ye gates

edward.maurath

3:42	Est. Play Time
78	Measures
	1,474Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
Violin I	23	0	3	7	99%
Tenor	13	0	2	7	86%
Alti	8	0	1	7	84%
Organ Continuo	20	4	4	7	81%
	21	1	3	7	83%
Cello Continuo	22	0	4	7	83%
Violone Continuo	21	0	3	7	83%
Soprani	11	19	1	7	78%
Bassi	15	0	2	6	74%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%